Daphnée Lanternier is a multidisciplinary creative director and visual artist whose practice is built on a simple belief: the strongest ideas are carried through every stage of their execution. Working across live performance, music, fashion and contemporary culture, she develops projects where creative direction, scenography, spatial design and production are conceived as one continuous creative discipline.
She collaborates with musicians, artists, luxury houses and cultural institutions to create performances, installations and large-scale visual experiences. At the intersection of art, architecture, movement and sound, her work is driven by narrative, materiality and craftsmanship, balancing artistic ambition with technical precision.
Her studio develops projects internationally across music, fashion, luxury and the performing arts, working with a network of artists, designers, engineers, fabricators and production specialists to bring ambitious ideas into physical form.
Brands & Institutions
Alexander Wang, Audemars Piguet, Hermès, Jil Sander, Mercedes-Benz, Staud, Vaquera, Wales Bonner, William Morris Endeavor, Young.
Artists
Alicia Keys, Andrew Wyatt, Bamby, Charlotte Cardin, Clara Luciani, Dave Guy, Dinos, Elizabeth Pupo-Walker, Etran de L'Air, Homer Steinweiss, Ian Hendrickson-Smith, Jamie xx, JR, Leon Michels, Lucky Daye, Mark Ronson, Mikki, Nick Movshon, Oklou, Raye, Robyn, Sampha, Sharon Eyal, Theodora, Yebba.
The stage design for Dinos at Paris Bercy was conceived around one central idea: creating intimacy at arena scale. Rather than relying on live-feed screens, Daphnée chose to work with light, architecture and the artist’s physical presence.
A four-step pyramid formed the centre of the stage, built from a metallic structure wrapped in a permeable grid that allowed light to travel through the volume. Above, an LED net created a suspended second layer, while two smaller stages extended the same visual system across the arena.
Through light, the structures continuously changed in depth and presence, creating an evolving landscape around Dinos.
The stage design for Dinos at Paris Bercy was conceived around one central idea: creating intimacy at arena scale. Rather than relying on live-feed screens, Daphnée chose to work with light, architecture and the artist’s physical presence.
A four-step pyramid formed the centre of the stage, built from a metallic structure wrapped in a permeable grid that allowed light to travel through the volume. Above, an LED net created a suspended second layer, while two smaller stages extended the same visual system across the arena.
Through light, the structures continuously changed in depth and presence, creating an evolving landscape around Dinos.
PRODUCTION - Live Nation
LABEL - SPKTAQLR
PHOTOGRAPHY - @hugues_laurent
LIGHTING DESIGN - @atfull_lighting
ART DIRECTION - @cecilelebon




